Author Archives: maria

Snippets: Chats With Creatives – Series 1, Snippet 10

Snippets’. Chats with Creatives. Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes designers tick. This series is all about asking some fun and different questions and learning about the inspirations and ideas behind the artist and their work. We hope to inspire others by sharing snippets of these creative stories. We gave the artists and designers featured a varied list of questions to choose from so we will learn something new from everyone involved, should be fun!

Today on Snippets we are talking to Lara Cross, the textile designer behind Glorybox Designs, a bright and eclectic range of fabrics, fashion and jewellery based on prints. She has a vibrant passion for colour and her quirky style is evident throughout her work.

Glorybox_designs_digital_fabrics_custom_fabric_printing_2The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

Looking back on my upbringing, it seems so obvious that I would end up being a textile designer- but really, I didn’t even know it was a thing until I was in my third year of studying fashion. Even fashion design was a late start for me, I had initially planned on being some sort of creative director and studied Drama and Film at uni, then lived in China for five years and came home to ‘start’ my life. It took a long time to find that field where my skills just clicked in to place, but I did have a great time getting there! Being surrounded by beautiful textiles, colours and prints was just normal to me, I didn’t know that I could be ‘good enough’ to do that too. I think I have always struggled to prove to everyone that so-called normal people can love colour, and that just because you’re creative it doesn’t mean you’re an idiot. It’s probably not your experience if you grow up in a city, but I grew up in a small town and there is certain pressure to conform- so a lot of my work and ranges tend to have a story behind them, a little provocation and thought to give it meaning as well as beauty.

I enjoy word-play, puns and often have a bit of tongue-in-cheek when I come up with a new theme- my last range was called ‘Iconoscopy‘ which was a tribute to our aging rock icons, and the next range is battle Armor for modern feminists, so no doubt there will be subtle references to female anatomy as well as some more blatant imagery. I have been compiling war words that we use daily, and I’ll start sketching off those, from there I’ll probably end up in mixed media experimentation and move into digital. I work with both screen and digital prints, but the designs always go through the computer before they get there. Digital design is definitely one of the late great discoveries of my life. I use my prints in my clothing and in my resin jewellery, I am very hands-on.

Glorybox_designs_digital_fabrics_custom_fabric_printing_4

Glorybox_designs_digital_fabrics_custom_fabric_printing_6Which part of the creative process is your favourite and why?

I love colour mixing when I screen print. I don’t really plan ahead I just go in with an open mind and play. I was also pretty surprised to discover how much I love the minutiae of digital design and getting right into the pixels to create repeats. It’s a secret language. There’s lots to enjoy.

What would your dream creative project look like?

The day I get the phone call from Romance Was Born to collaborate on a range….that will be a pretty great day. (Just to be clear, they can also email me)

Which other Australian designers, artists or creative people are you enjoying?

I am thoroughly enjoying the work of Haus of Dizzy and Doodad and Fandango– they are both forging great paths in sticking it to the patriarchy, all while looking awesome. The rise of dressing for yourself is something that really appeals to me and my customers.

Glorybox_designs_digital_fabrics_custom_fabric_printing_5

Glorybox_designs_digital_fabrics_custom_fabric_printing_7In another life what natural talent would you wish for?

I would love to write raunchy high-society books like Jackie Collins and Rebecca Chance. Maybe I still will….

Love your Locals:

City/Town/Village where you currently reside:

Dulwich Hill (Sydney’s hipster Inner West)

Favourite spot for a bite:

IKEA, not a popular choice I know but I get really freaked out by how obsessed people are with “good’ coffee or things served on wooden boards.

Secret Inspirational spot:

I love the run-down and industrial, behind my house there is a derelict lot that has lots of tire piles, runaway bamboo and fabulous rusty things. It’s being demolished bit by bit (there was an amazing old warehouse I could sketch in and spray paint on) but for now it still a bit of a secret garden of crap that I can enjoy.

Glorybox_designs_digital_fabrics_custom_fabric_printing_3You can follow what Lara is upto: Website, Instagram, Facebook

Snippets: Chats With Creatives – Series 1, Snippet 10

Snippets’. Chats with Creatives. Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes designers tick. This series is all about asking some fun and different questions and learning about the inspirations and ideas behind the artist and their work. We hope to inspire others by sharing snippets of these creative stories. We gave the artists and designers featured a varied list of questions to choose from so we will learn something new from everyone involved, should be fun!

Today on Snippets we are talking to Lara Cross, the textile designer behind Glorybox Designs, a bright and eclectic range of fabrics, fashion and jewellery based on prints. She has a vibrant passion for colour and her quirky style is evident throughout her work.

Glorybox_designs_digital_fabrics_custom_fabric_printing_2The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

Looking back on my upbringing, it seems so obvious that I would end up being a textile designer- but really, I didn’t even know it was a thing until I was in my third year of studying fashion. Even fashion design was a late start for me, I had initially planned on being some sort of creative director and studied Drama and Film at uni, then lived in China for five years and came home to ‘start’ my life. It took a long time to find that field where my skills just clicked in to place, but I did have a great time getting there! Being surrounded by beautiful textiles, colours and prints was just normal to me, I didn’t know that I could be ‘good enough’ to do that too. I think I have always struggled to prove to everyone that so-called normal people can love colour, and that just because you’re creative it doesn’t mean you’re an idiot. It’s probably not your experience if you grow up in a city, but I grew up in a small town and there is certain pressure to conform- so a lot of my work and ranges tend to have a story behind them, a little provocation and thought to give it meaning as well as beauty.

I enjoy word-play, puns and often have a bit of tongue-in-cheek when I come up with a new theme- my last range was called ‘Iconoscopy‘ which was a tribute to our aging rock icons, and the next range is battle Armor for modern feminists, so no doubt there will be subtle references to female anatomy as well as some more blatant imagery. I have been compiling war words that we use daily, and I’ll start sketching off those, from there I’ll probably end up in mixed media experimentation and move into digital. I work with both screen and digital prints, but the designs always go through the computer before they get there. Digital design is definitely one of the late great discoveries of my life. I use my prints in my clothing and in my resin jewellery, I am very hands-on.

Glorybox_designs_digital_fabrics_custom_fabric_printing_4

Glorybox_designs_digital_fabrics_custom_fabric_printing_6Which part of the creative process is your favourite and why?

I love colour mixing when I screen print. I don’t really plan ahead I just go in with an open mind and play. I was also pretty surprised to discover how much I love the minutiae of digital design and getting right into the pixels to create repeats. It’s a secret language. There’s lots to enjoy.

What would your dream creative project look like?

The day I get the phone call from Romance Was Born to collaborate on a range….that will be a pretty great day. (Just to be clear, they can also email me)

Which other Australian designers, artists or creative people are you enjoying?

I am thoroughly enjoying the work of Haus of Dizzy and Doodad and Fandango– they are both forging great paths in sticking it to the patriarchy, all while looking awesome. The rise of dressing for yourself is something that really appeals to me and my customers.

Glorybox_designs_digital_fabrics_custom_fabric_printing_5

Glorybox_designs_digital_fabrics_custom_fabric_printing_7In another life what natural talent would you wish for?

I would love to write raunchy high-society books like Jackie Collins and Rebecca Chance. Maybe I still will….

Love your Locals:

City/Town/Village where you currently reside:

Dulwich Hill (Sydney’s hipster Inner West)

Favourite spot for a bite:

IKEA, not a popular choice I know but I get really freaked out by how obsessed people are with “good’ coffee or things served on wooden boards.

Secret Inspirational spot:

I love the run-down and industrial, behind my house there is a derelict lot that has lots of tire piles, runaway bamboo and fabulous rusty things. It’s being demolished bit by bit (there was an amazing old warehouse I could sketch in and spray paint on) but for now it still a bit of a secret garden of crap that I can enjoy.

Glorybox_designs_digital_fabrics_custom_fabric_printing_3You can follow what Lara is upto: Website, Instagram, Facebook

Simple Repeat Pattern Tutorial For Beginners

It would be safe to say that most of us are creative, we might love to doodle, paint, and create collages. Whilst these are all wonderful and inventive practices, what if you wanted to start developing these crafts into textile designs but didn’t have the digital design software skills to get your file prepared for fabric printing. What we would say is “learn it’!  Learn digital textile design in small bites. Start slowly, from converting your art into a digital format and getting to know basic Photoshop tools. Everything new can be overwhelming, but if you take one step at a time and slowly build your confidence, you will get the hang of it in no time. Below are some simple steps that will help you prepare your art for digital seamless repeat printing.

how to make a repeat patern_how to print fabric_rose fabric design_11

DIGITIZING – CONVERTING YOUR ART INTO A DIGITAL FORMAT

Start with an artwork painted onto a flat, one colour background that surrounds the artwork. For this tutorial we used a simple white plain background for the purpose of being easy, but any colour is fine.

To convert your artwork into a digital format you need to scan or photograph the artwork. Scanning at a resolution of 300 dpi is preferred. However, if you don’t have a scanner, photograph your artwork laid out flat, indoors with plenty of light (natural day light if best), holding the camera directly above the artwork, making sure there are no shadows of any kind interfering with the artwork.

CLEANING – DELETING UNWANTED ELEMENTS FROM AN ARTWORK

Open your artwork in Photoshop by selecting MAIN MENU > FILE > OPEN > CHOOSE YOUR ARTWORK FILE.

how to make a repeat patern_how to print fabric_rose fabric design

Using MARQUEE TOOL select the object or image that you want to repeat.

how to make a repeat patern_how to print fabric_rose fabric design_2

Now let’s bring the artwork or image that you want to repeat into a new document so you can start playing with it. While MARQUEE TOOL selection is active, (this will appear as ants running around the selected area) go to MAIN MENU > EDIT > COPY to copy selected area and FILE > NEW to open new document. NOTE: Photoshop is a very smart software. The area that you have selected will now determine the file size of the new document being opened. Click OK.

how to make a repeat patern_how to print fabric_rose fabric design_3

how to make a repeat patern_how to print fabric_rose fabric design_4

Whilst in the newly opened document select MAIN MENU > EDIT> PASTE to bring your selected artwork into the new document. It should paste by default in the middle of the new document fitting artwork well within the new document space. Nothing should be cropped out or hidden from view.

Now to clean your artwork. If your white background is slightly messy or the texture of the paper is visible, you will need to clean this up, since whatever you see on the screen will be printed onto fabric. To quickly ‘deep-etch’ or in other words ‘clean-up’, select the layer that you just brought in.  Then select the MAGIC WAND TOOL. Change the tolerance to low (we selected a tolerance measure of ‘4’ but you might need to adjust this number as it is based on your artwork). Tolerance is the rate at which the same or similar colours are selected when using the MAGIC WAND TOOL. The higher the tolerance the more of that colour will be found and therefore selected within the artwork.

Make sure the CONTIGUOUS box is ticked, this will ensure that only space around your artwork is being selected, and not that which is inside or a part of the drawn objects. Now once everything is prepared for selection click on the white background to select it. You can see on the image below that only the white background area is selected. While it is selected hit the DELETE button on your keyboard. This will remove the white selected background.

how to make a repeat patern_how to print fabric_rose fabric design_5

 

As you can see there is a little bit of another flower peaking through on the left side. Lets clean this up by using the simple ERASER TOOL. You can adjust the size of the eraser as needed at the top left of the screen. You can make the background layer invisible (this will then appear as little white and grey squares as seen below) to check that you have cleaned up all of the image. Simply zoom in to check the edges of your artwork and any potential unwanted marks left behind.

how to make a repeat patern_how to print fabric_rose fabric design_6

how to make a repeat patern_how to print fabric_rose fabric design_7

ADJUSTING COLOURS

The image is now clean, but colour wise the artwork is not strong enough. To brighten and intensify the colours of the image select MAIN MENU > IMAGE > AUTO CONTRAST.

how to make a repeat patern_how to print fabric_rose fabric design_8

You are almost done! To flatten your image select MAIN MENU > LAYER > FLATTEN IMAGE. All layers have now merged into one. Save the image as a JPG high quality file MAIN MENU > FILE > SAVE AS > SAVE.

Now you are done and ready to upload your file to print on to a fabric of your choice!

ROSE TUTORIAL IMAGE

REPEATING A PATTERN USING OUR FABRIC UPLOADER

Open the Fabric Uploader page.

Drag & Drop your image or click on the SELECT button to upload your ready to print artwork. Once your file is uploaded, you’ll be able to see it in the fabric preview window. You can scale your artwork up or down, simply by typing in and adjusting the artwork to the size you want.  Keep an eye on the DPI! This is the resolution and quality of your file. If your artwork is low resolution and is scaled up, the print result can be blurry.

Next step is to choose your Repeat type. This is the fun part! Play around with the different options and see how the variations impact your artwork in the preview window. Compare how the different options distribute your artwork across the width and the length of the fabric. Pick the one that suits your design idea best!

FULL DROP REPEAThow to make a repeat patern_how to print fabric_rose fabric design_10

MIRROR REPEAThow to make a repeat patern_how to print fabric_rose fabric design_9

Choose how many meters you wish to print simply by typing it into the quantity box and then select the fabric you want to print on. Remember that each fabric stock has a different width so be sure to check that the fabric you choose meets your needs.

how to make a repeat patern_how to print fabric_rose fabric design_11

P.S. This tutorial is designed to be very basic. If you are still struggling to prepare your artwork files, we recommend you attend one of the workshops on offer at our Digital Textile Design School to help you nail those Photoshop basics!

Simple Repeat Pattern Tutorial For Beginners

It would be safe to say that most of us are creative, we might love to doodle, paint, and create collages. Whilst these are all wonderful and inventive practices, what if you wanted to start developing these crafts into textile designs but didn’t have the digital design software skills to get your file prepared for fabric printing. What we would say is “learn it’!  Learn digital textile design in small bites. Start slowly, from converting your art into a digital format and getting to know basic Photoshop tools. Everything new can be overwhelming, but if you take one step at a time and slowly build your confidence, you will get the hang of it in no time. Below are some simple steps that will help you prepare your art for digital seamless repeat printing.

how to make a repeat patern_how to print fabric_rose fabric design_11

DIGITIZING – CONVERTING YOUR ART INTO A DIGITAL FORMAT

Start with an artwork painted onto a flat, one colour background that surrounds the artwork. For this tutorial we used a simple white plain background for the purpose of being easy, but any colour is fine.

To convert your artwork into a digital format you need to scan or photograph the artwork. Scanning at a resolution of 300 dpi is preferred. However, if you don’t have a scanner, photograph your artwork laid out flat, indoors with plenty of light (natural day light if best), holding the camera directly above the artwork, making sure there are no shadows of any kind interfering with the artwork.

CLEANING – DELETING UNWANTED ELEMENTS FROM AN ARTWORK

Open your artwork in Photoshop by selecting MAIN MENU > FILE > OPEN > CHOOSE YOUR ARTWORK FILE.

how to make a repeat patern_how to print fabric_rose fabric design

Using MARQUEE TOOL select the object or image that you want to repeat.

how to make a repeat patern_how to print fabric_rose fabric design_2

Now let’s bring the artwork or image that you want to repeat into a new document so you can start playing with it. While MARQUEE TOOL selection is active, (this will appear as ants running around the selected area) go to MAIN MENU > EDIT > COPY to copy selected area and FILE > NEW to open new document. NOTE: Photoshop is a very smart software. The area that you have selected will now determine the file size of the new document being opened. Click OK.

how to make a repeat patern_how to print fabric_rose fabric design_3

how to make a repeat patern_how to print fabric_rose fabric design_4

Whilst in the newly opened document select MAIN MENU > EDIT> PASTE to bring your selected artwork into the new document. It should paste by default in the middle of the new document fitting artwork well within the new document space. Nothing should be cropped out or hidden from view.

Now to clean your artwork. If your white background is slightly messy or the texture of the paper is visible, you will need to clean this up, since whatever you see on the screen will be printed onto fabric. To quickly ‘deep-etch’ or in other words ‘clean-up’, select the layer that you just brought in.  Then select the MAGIC WAND TOOL. Change the tolerance to low (we selected a tolerance measure of ‘4’ but you might need to adjust this number as it is based on your artwork). Tolerance is the rate at which the same or similar colours are selected when using the MAGIC WAND TOOL. The higher the tolerance the more of that colour will be found and therefore selected within the artwork.

Make sure the CONTIGUOUS box is ticked, this will ensure that only space around your artwork is being selected, and not that which is inside or a part of the drawn objects. Now once everything is prepared for selection click on the white background to select it. You can see on the image below that only the white background area is selected. While it is selected hit the DELETE button on your keyboard. This will remove the white selected background.

how to make a repeat patern_how to print fabric_rose fabric design_5

 

As you can see there is a little bit of another flower peaking through on the left side. Lets clean this up by using the simple ERASER TOOL. You can adjust the size of the eraser as needed at the top left of the screen. You can make the background layer invisible (this will then appear as little white and grey squares as seen below) to check that you have cleaned up all of the image. Simply zoom in to check the edges of your artwork and any potential unwanted marks left behind.

how to make a repeat patern_how to print fabric_rose fabric design_6

how to make a repeat patern_how to print fabric_rose fabric design_7

ADJUSTING COLOURS

The image is now clean, but colour wise the artwork is not strong enough. To brighten and intensify the colours of the image select MAIN MENU > IMAGE > AUTO CONTRAST.

how to make a repeat patern_how to print fabric_rose fabric design_8

You are almost done! To flatten your image select MAIN MENU > LAYER > FLATTEN IMAGE. All layers have now merged into one. Save the image as a JPG high quality file MAIN MENU > FILE > SAVE AS > SAVE.

Now you are done and ready to upload your file to print on to a fabric of your choice!

ROSE TUTORIAL IMAGE

REPEATING A PATTERN USING OUR FABRIC UPLOADER

Open the Fabric Uploader page.

Drag & Drop your image or click on the SELECT button to upload your ready to print artwork. Once your file is uploaded, you’ll be able to see it in the fabric preview window. You can scale your artwork up or down, simply by typing in and adjusting the artwork to the size you want.  Keep an eye on the DPI! This is the resolution and quality of your file. If your artwork is low resolution and is scaled up, the print result can be blurry.

Next step is to choose your Repeat type. This is the fun part! Play around with the different options and see how the variations impact your artwork in the preview window. Compare how the different options distribute your artwork across the width and the length of the fabric. Pick the one that suits your design idea best!

FULL DROP REPEAThow to make a repeat patern_how to print fabric_rose fabric design_10

MIRROR REPEAThow to make a repeat patern_how to print fabric_rose fabric design_9

Choose how many meters you wish to print simply by typing it into the quantity box and then select the fabric you want to print on. Remember that each fabric stock has a different width so be sure to check that the fabric you choose meets your needs.

how to make a repeat patern_how to print fabric_rose fabric design_11

P.S. This tutorial is designed to be very basic. If you are still struggling to prepare your artwork files, we recommend you attend one of the workshops on offer at our Digital Textile Design School to help you nail those Photoshop basics!

Snippets: Chats With Creatives – Series 1, Snippet 9

Snippets’. Chats with Creatives. Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes designers tick. This series is all about asking some fun and different questions and learning about the inspirations and ideas behind the artist and their work. We hope to inspire others by sharing snippets of these creative stories. We gave the artists and designers featured a varied list of questions to choose from so we will learn something new from everyone involved, should be fun!

Today on Snippet’s we are talking to Sara Johnson, the artist behind ‘Travelling Alice’ a printmaker based in Sydney who designs and prints her own fabric before making it into unique accessories.

 Travelling Alice_digital fabrics_custom fabric_fabric printing 5

The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

Travelling Alice is a range of hand printed travel accessories, made in my Sydney Studio.

I studied Fine Arts just out of High School as I just wanted to Draw, while there I learnt Printing (wow ) I could turn my drawings into prints.

At nineteen I got the opportunity to volunteer in India for three months, and this is where my love of fabrics and Crafts came from and of course my travelling obsession began, seeing all these amazing artist, crafts people. Traveling Alice Started from a need to make light weight and colourful travel accessories for myself and friends. I am such an organised traveller I like to pack things so they are easy to find but of course they have to look good as well.

Travelling Alice_digital fabrics_custom fabric_fabric printing

Travelling Alice_digital fabrics_custom fabric_fabric printing 3Which part of the creative process is your favourite and why?

Drawing drawing and drawing. My Mum is a sign writer so I have always been around pencils, pens and brushes my whole life so it feels as natural as eating. By the way I have the worst hand writing, so I did not get this talent.

How would you describe your work, and what influences your style? 

I design fabric that I can sew into accessories. Travel definitely influences my style and my life. I became obsessed with it when I first travelled to India when I was 19. This was also where my love of Fabrics and pattern came from, you get exposed to colour and patterns, it’s a feast for the eyes.

Travelling Alice_digital fabrics_custom fabric_fabric printing 7

Travelling Alice_digital fabrics_custom fabric_fabric printing 4If you could have your portrait painted by any artist dead or alive, who would you choose?

Louise Bourgeois, that would be amazing and fun, she was known for her Sculptures but I love her printmaking. Louise Bourgeois was also known for her dry humour so we could have a laugh at the same time.

Love your Locals:

City/Town/Village where you currently reside:

Sydney South

Favourite spot for a bite:

I am a Coffee lover so food is a second thought so my favourite place to get coffee is White Horse Coffee in Sutherland

Secret Inspirational spot:

To be honest I find inspiration anywhere and anytime of the day or night. I have numerous note books so I can quickly write the inspiration down.

Travelling Alice_digital fabrics_custom fabric_fabric printing 2You can follow what Sara is upto: Website, Instagram, Facebook

Check your artwork repeats seamlessly with Offset Filter in Photoshop.

  • Open your file in Photoshop. Main menu > File > Open
  • Check size of your image. Main menu > Image > Image size. Take note of the pixel dimension (PX) at the full resolution size.

How to design fabric_Digital Fabrics _textile design

  • Change the resolution to half of its value and take note of the changed pixel dimension. Keep these numbers handy as you will need them to offset your artwork. Don’t click OK at this stage, as you don’t want to change the resolution size, you only need the pixel information.

How to design fabric_Digital Fabrics _textile design tutorial

  • Once you have pixel dimensions noted you can offset and check your file for seamless repeat. Go to Main menu > Filter > Other > Offset. In the open box enter that half pixel values that you have noted down. Select option Wrap Around and tick the Preview option, so you can preview what is happening to your artwork. The side edges of the artwork will now be visible in the middle and the middle will become the sides. In other words the artworks sides got folded into the middle.

How to design fabric_Digital Fabrics _textile design_surface pattern

  • If your artwork in not in seamless repeat, you will see it in the middle of your artwork, through vertically and horizontally missed joins and miss matched lines. In some artwork this will not be obvious and you will need to zoom right in to the joining pixels to spot the issue.

How to design fabric_Digital Fabrics _textile design_surface pattern_pattern bank

  • When your artwork repeats seamlessly, there is no miss matched lines and elements of the artwork flows seamlessly.

________________________________________

If you are at the beginning of your textile and surface design journey you might want to consider our workshops and classes on offer or continue learning more online through our available tutorials.

Snippets: Chats With Creatives – Series 1, Snippet 9

Snippets’. Chats with Creatives. Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes designers tick. This series is all about asking some fun and different questions and learning about the inspirations and ideas behind the artist and their work. We hope to inspire others by sharing snippets of these creative stories. We gave the artists and designers featured a varied list of questions to choose from so we will learn something new from everyone involved, should be fun!

Today on Snippet’s we are talking to Sara Johnson, the artist behind ‘Travelling Alice’ a printmaker based in Sydney who designs and prints her own fabric before making it into unique accessories.

 Travelling Alice_digital fabrics_custom fabric_fabric printing 5

The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

Travelling Alice is a range of hand printed travel accessories, made in my Sydney Studio.

I studied Fine Arts just out of High School as I just wanted to Draw, while there I learnt Printing (wow ) I could turn my drawings into prints.

At nineteen I got the opportunity to volunteer in India for three months, and this is where my love of fabrics and Crafts came from and of course my travelling obsession began, seeing all these amazing artist, crafts people. Traveling Alice Started from a need to make light weight and colourful travel accessories for myself and friends. I am such an organised traveller I like to pack things so they are easy to find but of course they have to look good as well.

Travelling Alice_digital fabrics_custom fabric_fabric printing

Travelling Alice_digital fabrics_custom fabric_fabric printing 3Which part of the creative process is your favourite and why?

Drawing drawing and drawing. My Mum is a sign writer so I have always been around pencils, pens and brushes my whole life so it feels as natural as eating. By the way I have the worst hand writing, so I did not get this talent.

How would you describe your work, and what influences your style? 

I design fabric that I can sew into accessories. Travel definitely influences my style and my life. I became obsessed with it when I first travelled to India when I was 19. This was also where my love of Fabrics and pattern came from, you get exposed to colour and patterns, it’s a feast for the eyes.

Travelling Alice_digital fabrics_custom fabric_fabric printing 7

Travelling Alice_digital fabrics_custom fabric_fabric printing 4If you could have your portrait painted by any artist dead or alive, who would you choose?

Louise Bourgeois, that would be amazing and fun, she was known for her Sculptures but I love her printmaking. Louise Bourgeois was also known for her dry humour so we could have a laugh at the same time.

Love your Locals:

City/Town/Village where you currently reside:

Sydney South

Favourite spot for a bite:

I am a Coffee lover so food is a second thought so my favourite place to get coffee is White Horse Coffee in Sutherland

Secret Inspirational spot:

To be honest I find inspiration anywhere and anytime of the day or night. I have numerous note books so I can quickly write the inspiration down.

Travelling Alice_digital fabrics_custom fabric_fabric printing 2You can follow what Sara is upto: Website, Instagram, Facebook

Check your artwork repeats seamlessly with Offset Filter in Photoshop.

  • Open your file in Photoshop. Main menu > File > Open
  • Check size of your image. Main menu > Image > Image size. Take note of the pixel dimension (PX) at the full resolution size.

How to design fabric_Digital Fabrics _textile design

  • Change the resolution to half of its value and take note of the changed pixel dimension. Keep these numbers handy as you will need them to offset your artwork. Don’t click OK at this stage, as you don’t want to change the resolution size, you only need the pixel information.

How to design fabric_Digital Fabrics _textile design tutorial

  • Once you have pixel dimensions noted you can offset and check your file for seamless repeat. Go to Main menu > Filter > Other > Offset. In the open box enter that half pixel values that you have noted down. Select option Wrap Around and tick the Preview option, so you can preview what is happening to your artwork. The side edges of the artwork will now be visible in the middle and the middle will become the sides. In other words the artworks sides got folded into the middle.

How to design fabric_Digital Fabrics _textile design_surface pattern

  • If your artwork in not in seamless repeat, you will see it in the middle of your artwork, through vertically and horizontally missed joins and miss matched lines. In some artwork this will not be obvious and you will need to zoom right in to the joining pixels to spot the issue.

How to design fabric_Digital Fabrics _textile design_surface pattern_pattern bank

  • When your artwork repeats seamlessly, there is no miss matched lines and elements of the artwork flows seamlessly.

________________________________________

If you are at the beginning of your textile and surface design journey you might want to consider our workshops and classes on offer or continue learning more online through our available tutorials.

Snippets: Chats With Creatives – Series 1, Snippet 8

Snippets’. Chats with Creatives. Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes designers tick. This series is all about asking some fun and different questions and learning about the inspirations and ideas behind the artist and their work. We hope to inspire others by sharing snippets of these creative stories. We gave the artists and designers featured a varied list of questions to choose from so we will learn something new from everyone involved, should be fun!

Today on Snippet’s we are talking to Anna Hayman, a UK based print designer who creates fabrics, wallpaper and other homewares from original lino printing and ink drawings. Her work is influenced by the art and craft era as well as the sixties and seventies which is clear in her current work.

Anna-Hayman-digital_fabrics_custom_fabric_printing_5The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

I am a British print designer specialising in printed lampshades, wallpapers, fabrics and cushions. I create my designs from linoprints and ink paintings. I began trading in February 2016

Which part of the creative process is your favourite and why?

My favourite part is transforming artwork – in my case a Lino print or an ink painting – into a pattern. Pattern is my utter obsession so creating repeat designs from artwork is a really exciting point for me, often there are literally endless possibilities of how it can be repeated, mirrored or formed, and seeing that take shape is completely thrilling. That comes just before the worst part, getting the pattern to repeat, which can take forever and is truly boring! Luckily I’m a bit of a geek 🙂

How would you describe your work, and what influences your style? I would describe my work as half hippy, half traditionalist, intricate, relaxed and colourful. I’m influenced by old English styles, I visit a lot of old places, and 1920’s places, but also love Bohemian 70’s style. Creatives I’m influenced by are Celia Birtwell, Biba, The Bloomsbury Group, Olaf Hajek, Aubrey Beardsley and many more.

Anna-Hayman-digital_fabrics_custom_fabric_printing_4Anna-Hayman-digital_fabrics_custom_fabric_printing_6In another life what natural talent would you wish for?

Writing! I have been reading a lot about the lives of writers recently and I must say it does seem an appealing occupation. I’ve always told myself I am terrible at writing, especially copy, but really I just haven’t had the space to explore it. I would love to take a summer learning how to construct a book, for instance.

Which other Australian designers, artists or creative people are you enjoying at the moment?

Estelle Briedis, for her exacting palettes of colour, Nine Lives Bazaar for their beautiful brand building skills and photography, and Instagram legend @labohemehouseofthewishingtrees for her inspiring and abundant use of brights with white, and layering of textures.

If you could only use one colour in your work what would it be?

Hard question! But I’m crushing hard on jade at the moment, a sort of greenish turquoise, a colour which can be hot and cool, and quenching somehow. I’d find it hard to live without orange though, deep vibrant orange, warm and fresh at the same time.

Anna-Hayman-digital_fabrics_custom_fabric_printing_7If you could have your portrait painted by any artist dead or alive, who would you choose?

Lucian Freud, not just because I love his work (I love flat looking paintings with a lot of detail) but because I feel I have the right sort of face for his portraiture.

Which five words best describe you?

English, rebellious, clever, arty, fun.

Love your Locals:

City/Town/Village where you currently reside:

Ringmer in Sussex, England.

Favourite spot for a bite:

Any good seafood restaurant, or sushi place.

Secret Inspirational spot:

Charleston farmhouse, the Bloomsbury group country house hotspot of the 1920’s, which is 15 minutes from where I live.

Anna-Hayman-digital_fabrics_custom_fabric_printing_1

You can follow what Anna is upto: Website, Instagram, Facebook

New Jersey Fabric

We have a New Jersey fabric in stock replacing the old base. This is an exciting opportunity for those textile and fashion designers who are looking for a t-shirt like fabric to construct a garment, this fabric is suitable for women’s, mens and kids wear.

Jersey is a mid-weight 200 gsm fabric, not too heavy or light, with two way stretch jersey knit. It has nice drape, soft with a nice cotton-like hand.

The Fabric prints beautifully, with great colour representation and superb colour fastness.

Our fabulous New Jersey fabric is perfect for any t-shirt type’s garments and casual wear such as t-shirts, dresses, loose fit tops, singlets, cool weather scarves and baby clothes. This fabric also very well suited for home textiles: blankets, pillow cases or throw cushions.

NOTE: this fabric doesn’t have spandex and has only limited stretch capacity, this fabric will not be suitable for very tight garments such as leggings.

printing on jersey fabric, stretch fabric printing, custom fabric printing, digital fabric printing on jersey

Midnight Jungle design printed on Jersey

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Bright and Happy Florals fabric design by Katy Dee printed on Jersey

marble fabric, custom marble fabric, jersey fabric, custom fabric printing

Marble Shevron fabric design printed on Jersey fabric

wattle design fabric, yellow and black fabric, jersey fabric, custom fabric printing

Wattle design by Crystal Kluger printed on Jersey fabric